Showing posts with label travel. Show all posts
Showing posts with label travel. Show all posts

Heaven

We're back at sea level. It's not too bad -- it's raining, and the sky is soft and grey.

About 30 years ago, I took 2 years out of my American life to study classical dance here in Chennai, which was then called Madras (20 years ago I returned and stayed on). During a school vacation I went up to Ooty, close to Coonoor, from which we have just returned. Everythng was much smaller and simpler then, of course. I stayed at the Anandagiri YWCA and was given what is called bed tea, in a white china pot covered with a tea cozy. I paid for a bucket of steaming hot water to bathe in. I sat on the terrace and ate toast and home-made marmalade for breakfast. It was cold and wonderful.

One day I took a bus to Kotagiri, which was a tiny hamlet, just a few buildings and the tea estates. I had tea and something in a place with old lithographs on the walls, of Queen Victoria, and kittens. Then I walked into the estate, a valley with a stream flowing through it, and thought that if there were such a thing as heaven it might look like this.


Even today, whenever I see a tea estate I imagine that person, my self of that time, surrounded by the tidy green plants, interspersed and shaded with silver oak trees. She sits beside a clear stream in gentle sunlight, reading a book (there would be libraries, of course). Perfectly alone and contented, forever.

Some Things About Coonoor

Coonoor is about 1770 metres higher, and 30 degrees cooler, than steamy, tropical Chennai by the sea. Here are some things about it:


it has fallen leaves that look like autumn


red tile roofs are everywhere - even on the churches


you can wear a wool shawl in the evening


it has beef stalls


mist rises up from the valleys


there are tea plantations everywhere, even in the town


(okay, you can see this in Chennai too:) a cow with horns still bright after the Pongal festival


you can walk for ten minutes and reach the forest



it has monkeys.

Politician, Coonoor



Tamil politicians liked to be shown embracing the elderly poor -- it started, I think, with the late M.G.R., back in the seventies. This picture looks a little ambiguous to me, though. And I feel that they have made him more fair-skinned than he is. Wonder if he won...

Postcard Vendor, Golconda


Photograph by Ramesh Gandhi


We recently came back from spending a week in Hyderabad. We hardly got out, but did manage to see Golconda Fort and the Qutb Shahi tombs. I had seen the fort many years ago, and had a vague image in my mind of a vast expanse of strewn boulders and cut stones -- but it wasn't like that; it's a ruined but still beautiful hill fort, one of many in India. Golconda was fabulously wealthy, in large part because it is said to have been the ancient world's only known source of diamonds (including the Kohinoor and the Hope diamonds). Here's the wikipedia entry on Golconda, which includes a list of other Indian forts.

As we walked out of the gateway this man approached me with his envelopes of postcards in the crook of his arm. I was holding my camera; I gestured with it and said, "See, I have my camera. I've taken so many pictures, I don't need any postcards." He replied very mildly, "But you may not have these angles; just take a look." By this time R and our friend had emerged. I asked R if he would take the man's photograph. R said, "She would like to take your picture, is that all right?" He said politely, "If Sahib will stand beside me." But he stood against a wall of the fort, and R composed it so beautifully, with the angles of the envelopes and the (modern) stairs. And we bought two sets of photographs, and parted cordially.


Here are some photographs which I took of Golconda, at Flickr.

Thekkady 6




It is Kerala which has made the words “Ayurvedic massage” famous all over the country in the last few years. So I had an Ayurvedic oil massage, followed by Shiroday, in which oil is poured in a thin stream onto the forehead for 15 minutes – supposed to be very tranquilising. The oil used was herb-infused sesame oil, and there were two masseuses, one standing on each side of the table. (Am I going to get icky Google hits for this?)

The massage part was relaxing, obviously, except that my mind wouldn't relax - it was humming with self-consciousness. At the end of it the Shiroday began: a strip of cheesecloth was tied around my head above my eyebrows, to keep the oil away from my eyes. A frame from which a clay pot was suspended was wheeled over me so that the pot was above my forehead. It had a small hole in the bottom, through which a length of rope extended. When the warm oil was poured into the pot it flowed down the rope and then onto my skin. A masseuse stood behind my head, slowly guiding the pot from side to side so that a steady stream of oil moved back and forth across my forehead. From time to time she moved a fingertip in a circular motion, or combed some of the excess oil from my hair with her fingers. The pot was refilled several times.

It began to be too much – eww!, how would I ever get all that oil out of my hair? And the background music, Shivkumar Sharma whaling away at the santoor with the tabla galloping along beside him, was too frenetic. I would have chosen something with a long, slow, meditative alaap – the rudra veena, perhaps. (Or something in the south Indian classical style, instead of the northern). I wanted it to end, but didn’t feel that I should interrupt their routine. At length it did end: a masseuse wiped the soles of my feet and rubbed some of the oil out of my hair. I showered, scrubbing with some mildly abrasive ‘bathing powder’ mixed into mud in a dish.

I left relaxed and rank, reeking of herbal oil. I was like a carrot which had been pulled out of its protective earth and exposed to the light, and then put gently back again. I felt green and vegetative, at last.

Thekkady 5


Bundles of thatch were stored under several of the cottages. I took a number of photographs of them. This was my favourite.

Thekkady 4

The whole reason for Thekkady's existence as a tourist destination is that it abuts the 777 sq. kms. Of Periyar Wildlife Sanctuary. The sanctuary surrounds a large artificial lake that was created when the Periyar river was dammed in the late nineteenth century. One of the things one does in Thekkady is to take a boat ride on the lake, in the hope of seeing some of the wild animals which live in the sanctuary. So we did that.

It was actually my second visit to Periyar. My first was when I was still in college, and had come over to Madurai for a couple of months to study Tamil. I took a bus to Periyar with a friend for a weekend. I wrote about the boat ride:

In the morning we took a two-hour boat ride around the lake and saw beautiful scenery, several herds of wild elephants and a few deer, bison, wild boar and birds. I took several pictures of the elephants, which came out as tiny black dots on the edge of the water. My family made fun of me after I got back and showed them my slides, saying "Look! It's the elephants!"

So this time I thought that I could bring home some more photographs of small brown blobs, of which I could say “Look! Those are the elephants!”

We sat on the upper deck of a two-decker, large boat –a crowd of people, and many screaming babies. There was a group of French tourists, Malayali Muslims with ladies in burkhas, families from numerous other parts of India – R said, “This is a group of many hues and cries.”

sitting on the boat at the jetty; a smaller boat to the right of ours


We spent almost two hours pottering around the various branches of the lake, seeing nothing much except for a few deer and a wild boar. At first, people cried out at every fallen log (“Mugger!” - crocodile) and boulder ("Hathi!" - elephant), and the French tourists kept saying "Oiseau! Oiseau!" (Bird! Bird!). But then they became resigned to not seeing much except green and green, and the characteristic dead trees rising from the water of the artificial lake.

Don't miss the deer, near the top, just to the left of the center of the book. I have drawn a helpful arrow, but it's not very visible in this scan


Finally though, as if it were deliberately kept for the end, we did come upon a group of about ten elephants grazing near the water’s edge. I took a photograph, and here it is -- Those are the elephants!


Something very nice happened a couple of days later. I'd been drawing in my journal everywhere, and one day a waiter at the restaurant, Mahesh, said that if I liked, he would draw me a picture of Periyar Lake. And he did, and presented it to me. Which brought tears to my eyes, as everything does these days - why does the world have to be so touching? Here it is -- much reduced in size. It has elephants bathing in the lake on the right, too.


And one more Periyar story, from my first visit, when I stayed at Periyar House, inside the Sanctuary:
After dinner: D was very nervous about the possibility of running into wild animals, so we walked only partway down to the lake and sat on a flight of stairs. Suddenly D said, "There's an animal over there -- let's go back" and walked up the stairs. I looked, abruptly realized that there really was something there, and scurried back to a sort of moat with a baffle over it, to keep animals out. Then I looked and looked, and when nothing moved I called to D, who was farther up, that it couldn't be an animal and that I was going to find out what it was. I crept up on it, and suddenly it turned its head and looked at me, and I said, "Oh! It is an animal!" and ran up the stairs. Then I noticed ghostly white bundles of laundry lying about, and realised that the fearsome beast was the laundry man's donkey.

Thekkady 3

Taj Garden Retreat, Thekkady. The place is intensely beautiful: a hazy blue silhouette of mountain in the distance, greener foothills in front of that, then the hotel itself, which is comprised of a main building and 32 modern-but-thatched cottages on stilts, built on a fairly steep slope, all surrounded by trees, hibiscus, monstera vines, palms, winding pathways, and the croaking of many tree frogs. Or very loud crickets, I don't know. Think soundtrack of jungle movie, minus the shrieking baboons.


Random impressions:

Fish and coconut! Coconut and fish! (I'm talking about the food - Malayalis eat a lot of both, and so did I.)

I love the soft, rolling sound of Malayalam (the language spoken in Kerala - and a pallindrome). It is Tamil's closest relative, but sounds like running water, rather than the rattling stones which Tamil can sometimes approximate.

Each version of English is a translation of whatever the person's mother tongue is. In (not highly-educated) Malayalam-English: "Soup is just getting." "We used to do this" = "We do this."

While playing badminton on the sloping, roughly surfaced court: darker and darker clouds, continuous rumblings of thunder, then spatter, then heavy vertical rain – cold on my skin as we returned to our cottage, under one of the hotel’s green umbrellas. It rained almost every day, usually after some dramatic thunder and lightning, just so you know it's coming.


Honeymoon couples – girls, Marwari, with fading mehndi on their feet-ankles-calves, and bangles stacked almost to the elbow. Sometimes the young men try to show off by the way they command the waiters, and look even younger because of it.

Elderly white tourists in groups.

Indian families with small children. Many of them are Gujaratis -- how did that happen? One very loud man yakking on the cell phone from morning. Ugh. Talking about profit and paise, and long-term and buying and selling.

Bulbul – the black crest and face blend into dark mottled brown at the neck, then to lighter brown of the back and wings. Cream-coloured breast (coffee-cream, not yellow) – a whiter patch where back meets tail – small red patch just under the tail – it teases some fibre from the climbing monstera, lays it on the stem, the strand falls to the ground. I think it's building a nest in the depths of a thuja shrub across the walkway -- at about my eye level. How are they so fearless, to nest so close to the ground?


left: the view from the bed; right: the veranda (the left stair rail is perspectively challenged, poor thing)


In the outside world, power in Tamil Nadu has changed hands after an election. According to the newspaper, the outgoing Chief Minister says that the current political situation in the state is like giving a garland to a monkey.

Thekkady 2

In the morning we flew to Madurai. This is what the land looked like as we descended:


The earth is red, and in many places the vegetation is sparse and scrubby. Rocky hillocks rise abruptly out of flat plain. I have flown over Tamil Nadu and into Kerala before, and each time I have felt the abruptness of the change: Tamil Nadu vast, dry, red -- it has fields, rice paddies, orchards, but they appear to be clinging to the surface of a hard land; then, cross the ghats - the low mountain range which runs up the western side of India - and BAM! Kerala, green, lush, abundant. Both landscapes have their own beauty, but Kerala's is more obvious.

This time we landed in Madurai, a temple city in the south of Tamil Nadu, and drove up the hills and into Kerala. (Here's a map. We started from Chennai, which is shown in blue, right on the northeast coast. Madurai is more than halfway down, more or less in the centre, and situated at a crossroads: a real heartland city. We drove west, through Theni, and just across the border into Kerala.)

Thekkady is 150 km from Madurai. The drive took 3 1/2 hours, most of it through flat plains – rocky outcroppings, fields, plantations of coconut, grapes, sugarcane; many small villages. Village temples, some of them protected by large painted sculptures of warriors on white horses.

In several places farmers had spread out hard cobs of millet on the road, to be threshed by the cars driving over them. Parts of the road were thickly lined with shady trees, their trunks painted in black and white warning stripes.

At one small village, a small procession emerged onto the road: about ten people. One man carried a red umbrella - tall, dome-shaped, intended to symbolise royalty or divinity. Behind him a woman carried two decorated brass pots on her head.

Later we passed another mini-procession in a larger village: a drummer, a couple of men in horse costumes, prancing.

The hills rise directly out of the plain. The ghat road ascends abruptly, much more steeply and directly than on the road to Coonoor. The road is less travelled than the road to Coonoor, which is often like a roller coaster ride, with cars flying in both directions on the same narrow track. A beautiful drive through forest, with views of green hills and valleys.


A few tiny villages are strung alongside the road. At Kumili village one leaves Tamil Nadu and enters Kerala by driving under a bar which extends across the road. This is where the hotels and resorts begin. In five minutes we were in Thekkady.

Thekkady 1

We just got back from two weeks in relatively cool Thekkady, a small town on the Kerala side of the Kerala-Tamil Nadu border (but not by much), which abuts a huge game sanctuary / forest. It is my earnest intention to post some drawings, words, photographs of the same over the next few days.


(This photograph is a cheat, actually, because as you can see, the drawing is different from the real flower's pose. I had drawn it on the tree first, but its face-on view was much more complex and amazing than its profile. So I plucked it and brought it back to our room, and did it again on watercolour paper.) And by the way, what is it? It's gorgeous, with a sheen like silk, and seems to grow wild on the roadside, on trees - or perhaps they're large shrubs... (update: thanks to Anna, who surmises that this is a datura.)

Rickshaw Kaarar, behind NSC Bose Rd., Nov. 2005



(I had originally titled this post 'Rickshaw Kaaran' - but renamed it, using the more respectful 'Kaarar', after reading the comments below.)

Cafe Mocha

We went to Cafe Mocha, a new and fashionable place on newly fashionable Khader Nawaz Khan Road. It's a franchise of a popular cafe in Mumbai. Most of the tables are outside, in a cool and breezy area (not sure how it will be when the hot season strikes), floored with sand and strewn with an amazing miscellany of furniture. There is a long table with a water channel running down the middle and a Buddha's head at one end; there is a big wrought iron bed with a gaddi (thin mattress) with a small table placed on it -- the kind from which one might eat breakfast in bed. There are planter's chairs and sling chairs, rough granite slabs and barrels. There is Middle-Eastern music in the background, and hookahs to order, their peach-flavoured smoke filling the air.


It was bustling, even at 2:00 in the afternoon. Virtually everyone but us appeared to be under thirty, and there were many more women than men. Almost everyone wore jeans. I wondered if these were the call centre workers who are so much in the news these days, with some money to burn and plenty of time to sit around in the middle of the day.

I had a cafe zabaglione, which, according to the (large) menu, actually contained marsala; which is strange, because as far as I know, alocohol cannot be served in a restaurant in Tamil Nadu unless it is attached to a hotel with a certain amount of beds. There was probably no more than a teaspoon of it for flavour; maybe that doesn't count. Anyway, it was good, and so was the panino with cream cheese and japlapenos, served with a small dish of pesto.

R wasn't crazy about the sand-covered ground or the ragbag furniture; and I was trapped in a sling chair, with my posterior about one inch above the ground, and my knees unnervingly close to my chin. But I wanted to enjoy it, and I did. And the people around me seemed to be feeling the same way. All of this -- food, drink and ambience -- would have been unimaginably exotic a few years ago. Now, if not routine, at least it's available at several places around town. Chennai's changing.

Demolition Day 5


Hotel Oceanic, on Santhome High Road. I've never been closer than this - it stopped being a hotel long ago, though I've been told that it was quite glamorous in its day. Lately it has been used as a location for film-shootings. Recently someone wanted to renovate it and make it into a boutique hotel, but that didn't work out. Now it has fallen to the building boom which is transforming the city.


Part of the arch leading into the hotel grounds, which have been blocked with a chain and padlock ever since I've seen the place. I never had the nerve to jump over the chain and take a look inside.

I had a fantasy, which I named A Weekend at the Oceanic: people in elegant clothes, and this crumbling building in the background. Nadira in a glittering long gown singing 'Mudmudke na dekh' ('Don't look back').

(My [not a masterpiece] painting of the Oceanic, based on these photographs, is here.)

(Update: Nadira, Hindi film star of the fifties, died on 9 February 2006.)

Three Views of the Chief Minister





Coonoor VI

I think I'm about done with Coonoor for now, but I wanted to throw in two pictures.

We drove to Tiger Hill, which is supposed to have a great view, but it was full of mist. I took this picture, which makes me very happy:


It's a tea garden. You can see tea bushes below, and silver oaks above. The oaks are spaced out and trimmed so that just the right amount of sunlight reaches the tea plants.

(In this context there was an interesting article in The Hindu recently: Rainforest Revival: "Every year, hectares of rainforest vanish in the Western Ghats, partly the result of expanding plantations. After decades of bad press, a group of estates in Tamil Nadu decide to prove the critics wrong.")


We were waiting in the car for someone, at the bottom of the ramp leading to the hotel, beside the churchyard wall. We always carry R's heavy camera bag, full of lenses, but lately he has rarely taken a photograph. As we sat in the car I handed him my new digital camera, which he had never used. He raised it idly and took this picture - the best of the lot, in my opinion. So irritating... but I love the picture:

Coonoor V

The Nilgiri Mountain Railway, familiarly known as the toy train, travels from Mettupalayam on the plains up to Ooty - a four-hour journey - and back every day. There are several websites with pictures and information about this train, which has just been declared a UNESCO world heritage site - here and here and here and here. One day we picked up the train at Coonoor and rode Ooty, a one-hour trip. My notes aren't very interesting, and my photographs are blurry. It was lovely, though - slow enough so that cows could saunter across the track in front of us without fear -- about 10 kph. A couple of tunnels, many wonderful views. A hoopoe flew across in a flash of black / brown / white.

We had lunch at the Savoy, in Ooty. I browsed through an old book - Ootacamund: A History - while we waited for lunch. I read about the second western 'discovery' of Ooty - the first, brief encounter, was in 1602, but this was the one that led to British settlements in the Nilgiris: in 1818, two English civilians reached Ooty - they might have been pursuing "a poligar who had been misconducting himself... they found the man they were in search of, in a hut. He was exceedingly polite in offering refreshments to the gentlemen, and pretending to go for some milk, took the opportunity of making good his retreat." In pursuing him they discovered the excellent climate, etc.

colonial kitsch: tripods of lances (for pig-sticking?)
hung with pith helmets


After lunch we went to look at a house that was for sale. We have a recurring fantasy about buying a second house here, or even resettling in the hills somewhere - but we haven't been sure enough to go through with it. The house was up a steep driveway - most of the property was steeply sloped and forested. It was charming on the outside; but we peered through the windows and found it very old-fashioned, rudimentary. There was an outbuilding for the caretaker and his family, a garage and, slightly up a hill, a small cottage.

The caretaker's wife, Mageshwari, showed us around. She was tiny, barefooted, slim, with a beautiful face, a sweet smile, very polite - we felt that we could almost buy the house in order to have her work for us. In the end we felt that the house would have to be gutted and modernised, and it seemed too big a project for us to take on. But the next day I felt a little guilty - austerity is good? the house looked cold because it was empty? Mageshwari's delicate bare feet, while I shivered in my sweater.


Morning: Crows squabble on and nibble the grass, a monkey steals a sugar packet from someone's room.


At the gate, the watchman chats with a sweeper in sari and brown sweater. She laughs.

A woman walks by with two bounding dogs.

A goods carrier grinds down the road.

Cloudy, with a very light drizzle.


I've made this guy look cheerful, when actually he's pensive and moth-eaten and sad.

Lunch: a child bangs his spoon on a table. The parents are unconcerned. Finally a waiter goes over and tells the child, "Don't! If you do that, monkeys will come."

This is a cubist goat, because I kept sketching it, even as it moved


The goats like to stroll across the road just as a truck comes barrelling down it, causing the truck to come to a halt. The woman who appears to be the goatherd says to them "Where are you going?" but idly, as if it is a casual conversation.

Coonoor IV



Every bit of land that can be farmed, is -- mostly with tea. Only rocky outcroppings and the steepest slopes are forested.


An elderly lady, staying with her children in America: "In America, nothing has any taste - fruits, vegetables, even chicken. They grow everything with chemicals. I come here, and I can taste everything."


Sunday morning, 8:30: I walked behind All Saints Church and down Figure of Eight Road. All the shops were closed -- most of them connected to the tea industry. A group of ten young men trooped into a shopfront marked BAR, then immediately backed out again and sat on the curb laughing, to wait (I assume) for 9:00 a.m. opening time.

Birds: bulbuls, sparrows, flowerpeckers, pigeons, mynahs, seven rishis

What soft names: Coonoor. Ooty. A signboard for Oopoottil Trading Co.


We visited Beulah Farm, which grows herbs and fruits, and sells its own fruit jam. The road went up and up, over a steep hump, and then down, down down, until R asked if we were going to end up in Mettupalayam, on the plain. When we reached the place I went in alone; R stayed in the car, not interested. It was Sunday, and a small village church nearby - gaudy, decked with pennants - was broadcasting loud recorded hymns.

I walked down a flight of steps to a small house, or rather a series of huts, I think - it was hard to make it out - facing a very small open area of dirt. In that area were several birdhouses crowded with gorgeous white fantail pigeons, who perched there or hopped down to walk around on the ground; a couple of muscovy ducks; a sleepy dog.

The owner was Eapen Jacob, 81 years old, a Syrian Christian from Kerala -- tall, thin, with a long pale face, thin white hair, smiling. Or rather, "God is the owner - I'm only in charge." E welcomed me, and showed me around the rows of herbs, plucked sprigs for me - thyme, chives, lemon balm, lad's-love. There was rhubarb, and strawberries, and some fruit trees, on about 2 acres of land. He doesn't use pesticides, or chemical fertilisers; he keeps a few bees to pollinate the flowers. He told me twice that 'Beulah' means god's gift, and that he treats it as such. He behaved as though I were a welcome guest, not an idle tourist seeking diversion.

I was impressed with his sincerity and openness. I felt that he should meet R, so I said that I would call him in. E immediately went with me to invite him. We sat down in one of the small rooms and chatted. Then E said something about God - that everything is in His hands, perhaps. R said that there is no god, or if there is, he's absconding. E became very interested, and the two of them got into an intense conversation. I sat on the doorstep, sketching and listening.


Several children stopped to look at what I was drawing. I asked the dog's name - Jimmy. They laughed to see that I had drawn him, and that I wrote his name over the drawing.

E and R talked for about an hour, E insisting that there must be an intelligence behind the universe - but mildly. He paid close attention to R's arguments, in spite of their opposition to his own beliefs. He was looking for answers. And he was a little confused, because he was old.

Eventually we had to go. I bought some jam: Rhubarb, rhubarb-strawberry, orange marmalade; and E gave me plants as a gift to take back: chives, thyme, lads-love, spearmint. He was reluctant to take money for the jam - later, at the hotel, someone told me, "Eapen doesn't care for money - when you pay him for his jams he doesn't even take the money with his right hand. He takes it in his left hand and just throws it aside."

As he walked us back to the car, E was emotional, hugged R, said that he was an exceptional person. We all had tears in our eyes. I'm not explaining properly why he impressed me so much. I think he seemed to be a kind of holy innocent, with his beliefs, and his herbs, and his birds…

I said to him, inanely, "You seem to be a happy man." He opened his eyes wide in surprise, and said, "No! I have a question mark rising behind my head, not an exclamation mark - I am searching in the wilderness."

But R was making him laugh, too - he had a sense of humour. As R was getting in the car he said, "You have touched my heart. It is rare to meet such a good and decent person. I feel sorry for you - you need someone to protect you. Good luck." Then when we sat in the car, E tapped on R's window. When R opened it he said, grinning, "You mean you do believe in something? There is such a thing as luck?" R said, "No! You caught me! As soon as I said it I realised it was a mistake. I was hoping you hadn't heard me, but you did - it was the only lie of the day." Then they clasped hands, and we drove away.

Coonoor III

All Saints Church, Coonoor


I walked to the church, next door to the hotel. Buff-coloured stucco and a red-tiled roof. A monkey sat on the churchyard wall:

Its mouth turns up, but it is not smiling


I had just begun to draw a whole line of monkeys sitting on another wall, when the church sexton rode up on a motorcycle and introduced himself. He told me that he and his father had recently cleaned all the graves, which I had already noticed: all the pretty moss and lichen were gone.


SACRED TO THE BELOVED MEMORY OF
GEORGE HODSON
WHO FELL ASLEEP ON THE 26 OF OCTOBER 1866
AGED 32 YEARS. . .


The cemetery is so quiet, green and brown, built on uneven, sloped ground, the stones not in neat rows. The trees are not willows -- they are some kind of fir - but they 'weep,' drooping over the graves.

At dinner, from the next table: "He knows which side of the bread to butter properly."

Coonoor II

(When I began writing about Coonoor, someone said, But I thought you were going to Ooty. So, to clarify, Ooty is the District Headquarters of Nilgiri District - like an American county seat - and Coonoor is a smaller, nearby town.)

I got up at 8:00 and went for a walk. The weather was variable, like spring: cool, breezy, then washed with warm sunlight, then with dark shadows. Tried to look hard at everything, picked up leaves and cones to draw. Later, after lots of breakfast, we sat at a white wrought-iron table on the lawn, and I painted what I had collected.


At dinner I warmed my hands around a hot toddy. I was busy pretending that it was colder than it actually was, with the fire every night and the hot water bottles and all. A piano player stumbled through old Hindi film songs in an almost-empty dining room (because the 'season' was over). At another table the waiter asked someone, "You are full vegetarian?" and she answered, "Not even mushrooms!"


The next day, after breakfast, the really, really good Chef Ramalingam showed me his herb garden: mint, lemongrass, basil, thyme, tarragon, rosemary, celery. I admired all of them and asked if he grew parsley. He said, "Parsley, monkeys take it. Monkeys my enemy."

Then we sat outside again, and two monkeys passed by, large and small, and paused, but not long enough for me to draw them properly. Growling and coughing. Then one male, three females with babies clinging under their bellies.

R watched the young Indian tennis player Sania Mirza lose in the second round of Wimbledon -- on the national TV channel, Doordarshan, with commentary in Chinese -- why?? I think that if Doordarshan ever modernised we'd miss its reliable weirdness. But not very much.

The day is punctuated by sirens from the tea gardens: the beginning and end of the work day, and the lunch break. Then there is the whistle and the chuff ... chuff ... of the so-called toy train, coming up from Mettupalayam on the plains to Ooty. And the grinding of trucks labouring up the hills, loaded with petrol; firewood; sacks of tea; everything that from outside comes by truck up the hairpin roads.


I stood looking up at a huge fir tree and tried to see it as light and shadow, but each mass of light had its own shadows. I would have to draw every needle. Then it stopped looking like a tree at all. Shadows within shadows.

Coonoor I

Overheard on the plane: "You have to look at the details, and only then you understand what life is. The basic principal, like, goes for a toss."

Coimbatore: We stepped out of the plane into light sprinkles of rain - I'd forgotten that expression: "It's sprinkling." Grey clouds, breeze. Hills rose in the distance, behind coconut groves.


A crucifix was wrapped around the car's rear-view mirror. On the bumpy stretches the wooden beads clacked slightly against the glass, as if raindrops were spattering on the windshield.


1:55 p.m., Mettupalayam; 2:10, "GHAT SECTION BEGINS" - a series of hairpin curves heading up into the hills; 3:00 arrival in Coonoor.

from the ghat road to Coonoor


We stayed at the Taj Garden Retreat in Coonoor. It was built in the mid-nineteenth century as a priory for the All Saints Church next door, and converted to a hotel in 1908. Bits and pieces have been added on ever since.


We had an enormous suite: a foyer big enough for a sofa and chairs; a living area with creaky wooden floors (the first wooden floors I have walked on for many years) and a fireplace; a bedroom; a smaller bedroom; a bathroom larger than the second bedroom. All of it was furnished with what looked like gleanings from someone's attic -- hill station style.

We ordered tea and sandwiches, and sat at a low table in the foyer to eat them. We kept the door open to let the cool damp air - it was drizzling lightly - inside. There was a basket of fruit on the table. I looked out the window and saw a furry brown monkey squatting on the roof of a nearby building. I said, "Look - a monkey!" Before R could even reply, if he had planned to, the monkey was inside. It was the size of a small dog. I was sitting on the floor; it was almost at my eye-level. I shouted, "No!", but it hardly glanced at me. In a flash it went to the fruit basket, grabbed a bunch of bananas, and was gone.

After dinner, a fire in the fireplace, made of "jungle wood."


In the night, the lights went out just as we were getting into bed. I thought I touched a stranger's warm leg there, and recoiled, but it was